I really love that David vector
At least it looks like a vector
its tight
I'm not even gonna yell at you
I like it

I love everything you guys do.
I love C+H
I love TN
I love DF
I love DS
And I love abbreviations!

Coming up with a witty response to this newspost is somewhat of a challenge.

I love the David Forgets series and I have watched every episode at least twice, but I have a question and I do hope you will answer: Will the new episodes of David Forgets be on your site only or will it be on yours and David's website (the Tomorrows Nobodys site)?

Hey, David, did you take out the trash?

Hey thanks for answering my question. I often go to Explosm and the TN site, so I wasn't sure where I would be able to see the new episodes lol. I didn't want to miss them, since Chase is awesome in the videos and David himself is a genius in comedic situations (forgetful as he is tho lol). Anyway can't wait to see the new ones!

Damnit! I just lost a bet that this show wouldn't return untill October. Oh well im glad to see it return. So what's going on with chase now? Because while he didn't make the series i feel that he played an important role. And well he kind of looks like me in 5 years and thats badass...

But forget that shit, keep up the work and i'll keep on watching and recommending.

Dr. Seuss
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Dr. Seuss

Theodor Seuss Geisel surrounded by his literary works, including one of his most famous, The Cat in the Hat.
Born Theodor Seuss Geisel
March 2, 1904(1904-03-02)
Springfield, Massachusetts,
United States
Died September 24, 1991 (aged 87)
San Diego, California, United States
Pen name Dr. Seuss, Theo. LeSieg, Rosetta Stone, Theophrastus Seuss
Occupation Writer, cartoonist, animator
Nationality American
Genres Children's literature
Notable work(s) The Cat in the Hat
Green Eggs and Ham
One Fish Two Fish Red Fish Blue Fish
How the Grinch Stole Christmas!
Spouse(s) Helen Palmer Geisel (1927-1967)
Audrey Stone Dimond (1968-1991)

Official website
Theodor Seuss Geisel (pronounced /%u02C8%u0261a%u026Az%u0259l/; March 2, 1904 - September 24, 1991) was an American writer and cartoonist most widely known for his children's books written under the pen name Dr. Seuss.[1] He published over 60 children's books, which were often characterized by imaginative characters, rhyme, and frequent use of trisyllabic meter. His most celebrated books include the bestselling Green Eggs and Ham, The Cat in the Hat, and One Fish Two Fish Red Fish Blue Fish. Numerous adaptations of his work have been created, including eleven television specials, three feature films, and a Broadway musical.

Geisel also worked as an illustrator for advertising campaigns, most notably for Flit and Standard Oil, and as a political cartoonist for PM, a New York City newspaper. During World War II, he worked in an animation department of the U.S Army, where he wrote Design for Death, a film that later won the 1947 Academy Award for Documentary Feature.

Contents [hide]
1 Early life and career
2 Later years
3 Death and posthumous honors
4 Pen names and pronunciations
5 Political views
5.1 In his books
6 Poetic meters
7 Artwork
7.1 Recurring images
8 Publications
9 Adaptations
10 References
11 Further information
12 External links

Early life and career
Theodor Seuss Geisel was born on March 2, 1904, in Springfield, Massachusetts to Henrietta Seuss and Theodor Robert Geisel.[2][3] His father, the son of German immigrants, managed the family brewery and after Theodor was married, supervised Springfield's public park system.[2] Geisel was raised in the Lutheran faith and remained a member of the denomination his entire life. Geisel attended Springfield's Central High School and entered Dartmouth College in fall 1921 as a member of the Class of 1925 and joined Sigma Phi Epsilon fraternity.[2] At Dartmouth, Geisel joined the humor magazine Dartmouth Jack-O-Lantern, eventually rising to the rank of editor-in-chief.[2]

While at Dartmouth, Geisel was caught drinking gin with nine friends in his room, violating national Prohibition laws of the time.[4] As a result, the school insisted that he resign from all extracurricular activities. In order to continue his work on the Jack-O-Lantern without the administration's knowledge, Geisel began signing his work with the pen name "Seuss"; his first work signed as "Dr. Seuss" appeared after he graduated, six months into his work for humor magazine The Judge where his weekly feature Birdsies and Beasties appeared.[5] Geisel was encouraged in his writing by professor of Rhetoric W. Benfield Pressey, whom he described as his "big inspiration for writing" at Dartmouth.[6]

After Dartmouth, he entered Lincoln College, Oxford, intending to earn a Doctor of Philosophy in literature.[citation needed] At Oxford he met his future wife Helen Palmer; he married her in 1927, and returned to the United States without earning the degree.[2]

He began submitting humorous articles and illustrations to Judge, The Saturday Evening Post, Life, Vanity Fair, and Liberty. One notable "Technocracy Number" made fun of the Technocracy movement and featured satirical rhymes at the expense of Frederick Soddy.[citation needed] He became nationally famous from his advertisements for Flit, a common insecticide at the time. His slogan, "Quick, Henry, the Flit!" became a popular catchphrase. Geisel supported himself and his wife through the Great Depression by drawing advertising for General Electric, NBC, Standard Oil, and many other companies. In 1935, he wrote and drew a short-lived comic strip called Hejji.[5]

In 1937, while Geisel was returning from an ocean voyage to Europe, the rhythm of the ship's engines inspired the poem that became his first book, And to Think That I Saw It on Mulberry Street.[citation needed] Geisel wrote three more children's books before World War II, two of which are, atypically for him, in prose.

As World War II began, Geisel turned to political cartoons, drawing over 400 in two years as editorial cartoonist for the left-wing New York City daily newspaper, PM. Geisel's political cartoons, later published in Dr. Seuss Goes to War, opposed the viciousness of Hitler and Mussolini and were highly critical of isolationists, most notably Charles Lindbergh, who opposed American entry into the war.[citation needed] One cartoon[7] depicted all Japanese Americans as latent traitors or fifth-columnists, while at the same time other cartoons deplored the racism at home against Jews and blacks that harmed the war effort. His cartoons were strongly supportive of President Roosevelt's conduct of the war, combining the usual exhortations to ration and contribute to the war effort with frequent attacks on Congress (especially the Republican Party),[citation needed] parts of the press (such as the New York Daily News and Chicago Tribune),[citation needed] and others for criticism of Roosevelt,[citation needed] criticism of aid to the Soviet Union,[citation needed] investigation of suspected Communists,[citation needed] and other offenses that he depicted as leading to disunity and helping the Nazis, intentionally or inadvertently.

In 1942, Geisel turned his energies to direct support of the U.S. war effort. First, he worked drawing posters for the Treasury Department and the War Production Board. Then, in 1943, he joined the Army and was commander of the Animation Dept of the First Motion Picture Unit of the United States Army Air Forces, where he wrote films that included Your Job in Germany, a 1945 propaganda film about peace in Europe after World War II, Our Job in Japan, and the Private Snafu series of adult army training films. While in the Army, he was awarded the Legion of Merit.[citation needed] Our Job in Japan became the basis for the commercially released film, Design for Death (1947), a study of Japanese culture that won the Academy Award for Documentary Feature.[8] Gerald McBoing-Boing (1950), which was based on an original story by Seuss, won the Academy Award for Animated Short Film.

Later years
After the war, Geisel and his wife moved to La Jolla, California. Returning to children's books, he wrote many works, including such children's favorites as If I Ran the Zoo, (1950), Scrambled Eggs Super! (1953), On Beyond Zebra! (1955), If I Ran the Circus (1956), and How the Grinch Stole Christmas! (1957). Although he received numerous awards throughout his career, Geisel won neither the Caldecott Medal nor the Newbery Medal. Three of his titles from this period were, however, chosen as Caldecott runners-up (now referred to as Caldecott Honor books): McElligot's Pool (1947), Bartholomew and the Oobleck (1949), and If I Ran the Zoo (1950). At the same time, an important development occurred that influenced much of Geisel's later work. In May 1954, Life magazine published a report on illiteracy among school children, which concluded that children were not learning to read because their books were boring. Accordingly, William Ellsworth Spaulding, a textbook editor at Houghton Mifflin who later became its Chairman, com